This sonatina for clarinet and piano has three movements in classical forms.
The first movement, which in a way takes the place of a slow movement, is intimately sad and at the same dramatic in nature.
The short second movement, was composed previously as one of several pieces intended as a soundtrack to the old silent film (Nosferatu).
The brilliant last movement reflects the ludicrous character of Panurge, a personage of old French literature. It contrasts the other two rather fast movements.
The first movement, which in a way takes the place of a slow movement, is intimately sad and at the same dramatic in nature.
The short second movement, was composed previously as one of several pieces intended as a soundtrack to the old silent film (Nosferatu).
The brilliant last movement reflects the ludicrous character of Panurge, a personage of old French literature. It contrasts the other two rather fast movements.